Artwork Description
Reproduction of Autumn Silhouette II by Silvia Vassileva
"Autumn Silhouette II" by Silvia Vassileva is a captivating exploration of nature's transition into autumn, imbued with a rich tapestry of colors and textures. This piece can be classified under contemporary impressionism, reflecting the artist's ability to convey emotion and atmosphere through abstract forms and vivid hues. The artwork presents an elegant tableau of silhouetted floral forms, their dark shapes standing in compelling contrast against a backdrop that mimics the variegated tones of the autumnal landscape. The muted palette of deep browns, burnt oranges, and earthy reds evokes the warmth and tranquility of the season. The interplay of light and shadow across the layered background adds depth, suggesting the dappled effect of sunlight filtering through a canopy of autumn leaves. Vassileva's use of texture is notable, with brushstrokes and subtle gradations of color that give the surface a tactile quality, reminiscent of the tactile nature of fallen leaves. The abstracted forms are both suggestive of nature's impermanence and a celebration of its beauty. This piece skillfully captures the essence of autumn, making it an evocative addition to any collection seeking to capture the grace and introspection of this fleeting season.For more art by Silvia Vassileva click here.
© Wild Apple Graphics
Part Number: 1001l
For more art in the following categories, click here: Abstract, Florals
Artwork Profile Attributes
COMING SOON
Licensor, Part Number, and Series Information
Part Number:
Material Details
1. Print on Demand Canvas
2. Print on Demand Poster Paper
3. Print on Demand Fine Art
Bleed and Trimming Information
- Bleed Information (canvas only): 3-inch mirrored bleed included. Reach out to us for other options.
- All Prints:
We include a small trim border around each print with order and copyright details. If you'd prefer your image printed right to the edge (no border), just let us know in the âOrder Notesâ section for that item.

