Artwork Description
Reproduction of Tranquility II Neutral by Silvia Vassileva
"Tranquility II Neutral" by Silvia Vassileva is an exquisite example of contemporary still life, masterfully bridging traditional and modern aesthetics. The composition centers around a deep blue vase, rendered in a manner that captures both light and shadow with delicate precision. The vase cradles an arrangement of white flowers, their petals gently unfurling and coupled with slender, verdant leaves that stretch gracefully upward and outward. The background is a serene blend of muted earth tones, seamlessly merging into each other to create a sense of calm and depth. This abstract backdrop allows the vividness of the vase and flowers to emerge prominently, drawing the viewer's eye. Vassileva employs soft brushstrokes and a palette that moves effortlessly between hues, crafting a piece that is both tranquil and inviting. Classified as a modern interpretation of still life, this artwork speaks to both minimalism and a rich appreciation for subtle detail and texture. The gentle interplay of light, shadow, and color invites reflection and evokes a sense of peaceful introspection, making it a timeless addition to any art collection.For more art by Silvia Vassileva click here.
Decorus Art is an authorized licensee of Wild Apple Graphics. All artwork is printed in-house and fulfilled directly from our U.S. studio.
Part Number: 100548a
For more art in the following categories, click here: Florals, Still Life
Artwork Profile Attributes
COMING SOON
Licensor, Part Number, and Series Information
Material Details
1. Print on Demand Canvas
2. Print on Demand Poster Paper
3. Print on Demand Fine Art
Bleed and Trimming Information
- Bleed Information (canvas only): 3-inch mirrored bleed included. Reach out to us for other options.
- All Prints:
We include a small trim border around each print with order and copyright details. If you'd prefer your image printed right to the edge (no border), just let us know in the “Order Notes” section for that item.

