Artwork Description
Reproduction of Maki Tile IX by Kathrine Lovell
Maki Tile IX by Kathrine Lovell is a compelling example of contemporary abstract expressionism, rendered with a deliberate tension between repetition and variation that evokes the historical traditions of textile and ceramic design. The work is structured around a binary composition: the left side presents a rhythmic, grid-like arrangement of deep cobalt-blue paisley motifs, meticulously aligned and densely packed, suggesting an ordered, almost architectural logic. In contrast, the right side introduces a more organic and dispersed arrangement of stylized floral forms—each composed of rounded, petal-like elements radiating from a central point—creating a sense of movement and spontaneity that disrupts the uniformity of the left. The transition between these two zones is marked by a subtle, vertical seam of overlapping shapes, suggesting a deliberate fissure or dialogue between order and chaos. The surface treatment of the piece is integral to its aesthetic and conceptual depth. The blue forms, while rendered with a consistent tonal quality, exhibit a pronounced textural variance—brushstrokes are visible, layers of paint build up, and areas of the underlying white ground appear to be partially scraped or worn, revealing traces of earlier applications. This tactile quality imbues the work with a sense of material history, as though the patterns have been inscribed over time, accumulating marks of labor and time. The white background itself is not pristine but bears subtle signs of age and handling, including faint speckles of ochre and red pigment, which function as accidental yet harmonious accents, enhancing the work's layered complexity. The palette—dominated by a rich, deep blue against a luminous white—evokes the visual language of traditional tilework, particularly that of Islamic and Persian decorative arts, where geometric and vegetal motifs were historically employed to convey both spiritual and aesthetic values. Lovell’s work, while abstract, engages with this legacy in a contemporary idiom, reinterpreting the symbolic potential of pattern in a modern context. The use of a limited color scheme allows the viewer to focus on the interplay of form, rhythm, and texture, emphasizing the artist's engagement with the formal concerns of pattern-making. In terms of classification, Maki Tile IX may be considered a hybrid work that straddles the boundaries of abstract art, pattern painting, and textile-inspired design. It aligns with the tradition of artists who have explored the intersection of decorative art and fine art, such as those associated with the Pattern and Decoration movement of the 1970s, though Lovell’s approach is more subdued and introspective. The work resists narrative or representational content, instead inviting contemplation of structure, repetition, and the subtle beauty of imperfection. As such, it stands as a meditation on the enduring power of pattern to organize space, evoke rhythm, and convey emotional resonance through visual repetition and variation.For more art by Kathrine Lovell click here.
Decorus Art is an authorized licensee of Wild Apple Graphics. All artwork is printed in-house and fulfilled directly from our U.S. studio.
Part Number: 24425a
SID20816
For more art in the following categories, click here: Abstract, Multicultural and Folk Art
Artwork Profile Attributes
COMING SOON
Licensor, Part Number, and Series Information
Material Details
1. Print on Demand Canvas
2. Print on Demand Poster Paper
3. Print on Demand Fine Art
Bleed and Trimming Information
- Bleed Information (canvas only): 3-inch mirrored bleed included. Reach out to us for other options.
- All Prints:
We include a small trim border around each print with order and copyright details. If you'd prefer your image printed right to the edge (no border), just let us know in the “Order Notes” section for that item.
Shipping
Shipping Format
✔ Rolled Fine Art Print
✔ Ships in Protective Tube
✔ Frame NOT included
