Artwork Description
Reproduction of Turn it Up XII by Kent Youngstrom
"Turn it Up XII" by Kent Youngstrom is an evocative piece of contemporary art that exemplifies his bold and dynamic artistic style. This artwork presents a striking monochrome depiction of a vinyl record, manifesting a deep connection to musical culture and nostalgia. The central circular figure of the vinyl is rendered in intense black, punctuated by the stylized representation of a tonearm and stylus. This bold figure stands in contrast to the subtly textured white background, which is adorned with abstract splatters and gradients, giving the piece a sense of depth and movement. The work vibrates with a sense of rhythm and energy, embodying the essence of sound in a visual form. It can be classified as a piece within the Pop Art movement, as it captures everyday objects and elevates them to high art, imbuing them with cultural significance. Youngstrom's use of stark contrasts and clean lines is reminiscent of the graphic elements often found in street art, while the nostalgic subject matter invokes a sense of reverence for the analog era. "Turn it Up XII" is a testament to the artist's ability to fuse contemporary techniques with classic themes, making it a striking and thought-provoking addition to any collection.For more art by Kent Youngstrom click here.
© Wild Apple Graphics
Part Number: 81110f
For more art in the following categories, click here: Games & Entertainment, Music, Words & Phrases
Artwork Profile Attributes
COMING SOON
Licensor, Part Number, and Series Information
Part Number:
Material Details
1. Print on Demand Canvas
2. Print on Demand Poster Paper
3. Print on Demand Fine Art
Bleed and Trimming Information
- Bleed Information (canvas only): 3-inch mirrored bleed included. Reach out to us for other options.
- All Prints:
We include a small trim border around each print with order and copyright details. If you'd prefer your image printed right to the edge (no border), just let us know in the “Order Notes” section for that item.

