Artwork Description
Reproduction of Silly Giraffe Neutral I by Max Blakesberg Studios
"Silly Giraffe Neutral I" by Max Blakesberg Studios presents a charming and intimate portrayal of wildlife, capturing the viewer’s attention with its compelling subject: a giraffe gazing directly at the lens. The artwork is a monochromatic photograph resonating with classic sepia tones, which imbue the piece with a timeless quality. This technique transforms the image from a mere moment captured in time to a sophisticated work of art, inviting the observer to engage with the photograph on an emotional level. The giraffe's expression, both endearing and slightly whimsical, adds a playful element to the composition. Its elongated neck and distinctive patterned hide are expertly highlighted, accentuating the creature’s natural elegance and grace. The blurred background suggests a serene landscape, allowing the viewer to focus solely on the subject, devoid of distractions. This piece can be classified within contemporary wildlife photography, yet it transcends simple classification due to its artistic depth and ability to capture the personality and spirit of the animal. As a reproduction print, "Silly Giraffe Neutral I" offers an artful blend of humor and sophistication, making it a captivating addition to any collection.For more art by Max Blakesberg Studios click here.
© Wild Apple Graphics
Part Number: 94179h
For more art in the following categories, click here: Animals, Photography
Artwork Profile Attributes
COMING SOON
Licensor, Part Number, and Series Information
Part Number:
Material Details
1. Print on Demand Canvas
2. Print on Demand Poster Paper
3. Print on Demand Fine Art
Bleed and Trimming Information
- Bleed Information (canvas only): 3-inch mirrored bleed included. Reach out to us for other options.
- All Prints:
We include a small trim border around each print with order and copyright details. If you'd prefer your image printed right to the edge (no border), just let us know in the “Order Notes” section for that item.

