Artwork Description
Reproduction of Borrowed Shapes by Mike Schick
*“Borrowed Shapes”* by Mike Schick is a compelling example of mid-to-late 20th-century abstract expressionism, rooted in the geometric abstraction movement yet imbued with a distinctly personal and lyrical sensibility. The work presents a dynamic interplay of form and color, structured around a carefully orchestrated arrangement of biomorphic and geometric shapes that appear both autonomous and interconnected. Schick’s approach demonstrates a mastery of spatial composition, where each element—be it the luminous white circle outlined in a delicate gradient of purple and orange, or the stark black rectangles—functions as a visual anchor while simultaneously engaging in a dialogue with its neighbors. The composition is divided into distinct yet harmonized zones, creating a sense of rhythmic balance that invites prolonged contemplation. The use of thick, impasto-like applications of paint—particularly evident in the deep black forms—suggests a tactile engagement with the medium, evoking the physicality of the artist’s hand. These textured areas contrast with the smoother, more luminous planes of off-white and beige, which serve as a visual respite and grounding element within the larger structure. Schick’s palette, while restrained, is rich in tonal nuance. The dominant use of black, white, and gray creates a sophisticated monochromatic framework, punctuated by the vibrant accents of orange, teal, and purple that delineate the boundaries between forms. These accent colors function not merely as decorative elements but as structural guides, drawing the eye along the contours and emphasizing the interplay between positive and negative space. The result is a composition that feels both grounded and expansive, echoing the formal concerns of artists like Josef Albers and Ellsworth Kelly, yet filtered through Schick’s own introspective vision. The work’s title, *“Borrowed Shapes,”* suggests a thematic engagement with the idea of transformation and recontextualization—where familiar forms such as the circle and rectangle are reimagined and reassembled into a new, cohesive whole. This conceptual layer adds depth to the visual experience, inviting viewers to consider the cultural and historical connotations of geometric abstraction while appreciating the work on its own formal terms. Classified within the broader category of **Abstract Geometric Abstraction**, *“Borrowed Shapes”* exemplifies a nuanced synthesis of structural rigor and expressive freedom. It stands as a testament to Schick’s ability to merge intellectual precision with emotional resonance, producing a piece that is both intellectually stimulating and aesthetically profound. As a reproduction print, the artwork captures the essential qualities of the original—its balance, its color relationships, and its meditative rhythm—making it a compelling addition to any collection that values thoughtful abstraction and the enduring legacy of post-war American modernism.For more art by Mike Schick click here.
Decorus Art is an authorized licensee of Wild Apple Graphics. All artwork is printed in-house and fulfilled directly from our U.S. studio.
Part Number: 105701a
SID35426
For more art in the following categories, click here: Abstract
Artwork Profile Attributes
COMING SOON
Licensor, Part Number, and Series Information
Material Details
1. Print on Demand Canvas
2. Print on Demand Poster Paper
3. Print on Demand Fine Art
Bleed and Trimming Information
- Bleed Information (canvas only): 3-inch mirrored bleed included. Reach out to us for other options.
- All Prints:
We include a small trim border around each print with order and copyright details. If you'd prefer your image printed right to the edge (no border), just let us know in the “Order Notes” section for that item.
Shipping
Shipping Format
✔ Rolled Fine Art Print
✔ Ships in Protective Tube
✔ Frame NOT included
